Most representations of the Queen of Cubans portray
her as rather light skinned, but some depict her as black. The actual
statue is generally regarded as a ‘mulata’, a woman of
mixed race like the flock of her Cuban children. Her eyes and hair
are indeed pitch black. A recent thorough renovation did a good job
of revealing well shaped features that had been deformed by countless
coats of paint, but it also made her look even whiter. Her feet rest
on a silver moon whose ends surround the silver cloud where three
cherubs spread their golden wings. Baby Jesus raises one hand in blessing;
in the other hand he holds a golden globe. His Mother holds a cross
in her right hand. It used to be a golden one.
Why would I count this Lady among Black Madonnas? One, because her
Cuban children see her as dark. Two, because, like so many of her
sisters, she has a connection with a non-Christian Dark Mother. Hers
is actually particularly strong, because she is simultaneously worshipped
as the Mother of Christ and as Ochún (or Oshún), the
Afro-Cuban Yoruba goddess of love, dancing, femininity, sweet water,
and gold. The Church seems to have made its peace with the fact that
Our Lady of Charity draws not only Catholics, but also crowds of non-Christians
and faithful with dual identities into her church. In any case, the
Catholic caretakers of the shrine mostly keep her dressed in yellow
and gold, the colors of the African goddess, as if to keep the Yorubas
happy. Of course it may just be that Ochún’s color has
become so much part of Cachita that no one would want to miss it.
Even her Catholic devotees dress in yellow for her special holiday
celebrations on September 8th and July 25th when thousands come to
her on pilgrimage. Good old syncretism is alive and well in Cuba!
Yorubas say the Virgin of Cobre has several characteristics in common
with Ochún. Both have a connection with water. True, Our Lady
was found in saltwater, which would associate her more with Yemayá,
their goddess of the sea, rather than with Ochún, goddess of
sweet water. But since she appeared near the mouth of a river, she
qualifies. Also, the golden cross in her right hand reminds the Yorubas
of the gold that Ochún possesses. Lastly, Mother Mary’s
charitable love that flows from this statue through graces and miracles,
reminds Yorubas of their ever happy and loving Mother goddess Ochún.(*1)
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People get confused about the fact that
the Lady of Charity of Cobre is described in paintings and words as
an apparition, similar to say, the apparitions in Fatima. They wonder
if there was an apparition of the “actual” Virgin Mary
or if it was “just” the statue that was found. The fact
is that when a statue appears in a miraculous way, it is, to her devotees,
just like their Mother appeared in the flesh. So what happened?
One day in 1608 (1611, 12, or 13 according to some) two native Indian
brothers, Rodrigo and Juan de Hoyos, together with a 10 year old African
slave boy, Juan Moreno, set out to gather salt from a salt mine. It
was needed to preserve the meat of the Barajagua slaughter house,
which supplied the inhabitants of Santiago del Prado, now known as
El Cobre. Their journey included a canoe ride across the Bay of Nipe.
But half way across they had to go ashore because a storm threatened
to capsize their vessel. They camped at a place called Cayo Francés
and waited for the weather to change. The next morning the seas were
calm and they left the shore before daybreak. According to the testimony
of the African slave “The aforementioned Juan y Rodrigo de Hoyos
and myself, embarked in a canoe, headed for the salt mines, and far
from Cayo Francés we saw something white above the foam of
the water, but we couldn’t make out what it was. As we got closer,
it seemed to us to be birds and dry branches. Then the aforementioned
Indians said, “It looks like a girl.” While they were
discussing this, they arrived, saw, and recognized the image of our
Lady, the Most Holy Virgin with Baby Jesus in her arms, on top of
a small wooden plank. On this small tablet were written large letters.
Rodrigo de Hoyos read them and they said, “I am the Virgin of
Charity.” Looking at her clothes, they admired that they were
not wet. In seeing this, full of joy we each gathered only one third
of salt and came to Hato de Baragua."(*2) |
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Ivelisse Rodriguez wrote an excellent
article entitled “Virgen de la Caridad del Cobre: Origins,
Nationalism”. Here is a large excerpt, slightly edited:
“The statue was originally taken to Barajagua, a nearby settlement,
but it kept disappearing. She would disappear at night and return
in the morning with her clothes wet. (…) Finally people understood
that she wanted El Cobre to be her permanent home. Her location
next to the copper mines is usually interpreted to mean that she
looked out for the slaves who worked in the copper mines.
In the Santería narrative, Ochún came to Cuba because
she was despondent over her children being taken away from her by
slave traders. She asked her sister Yemayá what Cuba was
like, and Yemayá pointed out the similarities between Cuba
and Yorubaland but noted how the people in Cuba looked different.
Ochún then requested that Yemayá make her skin lighter,
turning her skin a copper color, and her hair straighter so that
all Cuban people could accept her. Thus she traveled to Cuba and
was soon loved by all Cubans.
Originally, mostly slaves were the ones who worshiped Our Lady
of Charity. This shifted during the Ten Years War (1868–1878)
between Cuba and Spain. The clergy, who was in favor of Cuba's independence,
prayed to Our Lady of Charity, believing that she was on their side.
Then in the 1895–1898 war for independence those in favor
of independence prayed to Our Lady of Charity, including the revolutionary
soldiers. Thus she became known as “La Virgen Mambisa”
(the revolutionary virgin).(*3) After the
war, in a letter dated September 24, 1915, the veterans petitioned
the Roman Catholic Church to have Our Lady of Charity acknowledged
as the national patroness of Cuba because of the way she had helped
them reach independence. On September 8, 1916, Pope Benedict XV
approved this request.
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the basilica built in 1927
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Another decisive moment in the life of the Virgin of Charity came after
the Cuban revolution. Initially, it was believed that she was on the side
of Castro and his revolution, but this all changed on September 10, 1961,
when feast day celebrations were to be held in her honor. In keeping with
tradition, there was supposed to have been a procession. However, Eduardo
Boza Masvidal, the bishop in charge of the procession, was accused of
being a counter-revolutionary and was forced to call off the scheduled
procession. An impromptu procession ensued, and a clash between Cuban
Catholics and the police broke out. A young man named Arnaldo Socorro
was killed, presumably shot by the police. From then on, those who held
anti-Castro sentiments started to believe that the Virgin was really on
their side. Thus, a replica of Our Lady of Charity accompanied the ensuing
exodus of many Cuban Catholics to Miami.”(*4)
The official website of Our Lady’s sanctuary adds a beautiful article
on how the Virgin of Cobre and her clergy helped liberate the slaves of
the Cobre district during a whole century of struggle against the Spanish
crown.(*5) It also confirms that “…
there was certainty among the people that the Virgin Mary under the title
of Our Lady of Charity of Cobre accompanied and protected the Cubans in
the search for their independence.” Like other Black Madonnas (e.g.
of Czestochowa, Poland and Wilna,
Lithuania) the Queen of Cuba became a symbol of national identity and
independence.(*6) Nor is she the only
Black Madonna that has been credited with helping liberate the slaves
and standing by the oppressed. Apparecida do Norte
in Brazil and some Italian BlackMadonnas enjoy the same reputation. For
more, read in the introduction under Leftist
Views.
In 1936 Cachita was solemnly crowned. In 1977 Pope Paul VI raised her
sanctuary to the category of Basilica and in 1998, Pope John Paul II crowned
her a second time.(*7)
To this day the faithful come from across Cuba on pilgrimage to this
Brown Madonna and her image can be seen throughout the country.
Tip for the pilgrim: there is an inn behind the church, Hospedería
de la Caridad, which welcomes foreigners who abide by the strict rules;
a stay costs a mere 10 pesos a night (38¢), although they generally
charge foreigners a few dollars. There are only 15 austere but well-kept
rooms; it's necessary to reserve by phone (tel. 22/3-6246) at least 15
days in advance.(*8)
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